1966 – Bayview Foundation is established to develop Bayview Townhouses

1971 – Bayview Townhouses are completed

1976 – Foundation awards first mini-grant of $400 to support neighborhood activities

1981 – Foundation expands property management staff responsibilities to include coordination of neighborhood activities

1985 – Bayview opens the Community Center, holds first Annual Triangle Ethnic Fest, and pursues funding to expand programs

1988 – Bayview organizes first public art project

1989 – Neighborhood playground is completed

1990 – Bayview Triangle Mural Project is commissioned to honor local history of The Greenbush Neighborhood at the Fest.

1991 – Bayview becomes a member organization of Community Shares of Wisconsin/Community CHIP; School of International Dance and Call for Peace Drum & Dance Company locate to Bayview; Foundation funds $20,000 for neighborhood programs

1996 – Community Center becomes Bayview International Center for Education and the Arts with the completion of the center building expansion

2002 – Artist, Harry Whitehorse, dedicates his sculpture, “One Child Spinning Through Mother Sky” at the 18th Annual Triangle Ethnic Fest

2003 – Artist, Nancy Giffey presents “Bayview Magic Carpet Mural” at the Annual Triangle Ethnic Fest

2004 – Bayview celebrates 20th anniversary of the Annual Triangle Ethnic Fest

2009 – Bayview celebrates 25th anniversary of the Annual Triangle Ethnic Fest

2014 – Executive Director David Haas retires after 36 years of service to Bayview community and Andy Heidt hired as Executive Director

2014 – Bayview celebrates 30th anniversary of the Annual Triangle Ethnic Fest

2015 – Bayview expands senior programming and services

Triangle Ethnic Fest

Bayview held the Triangle Ethnic Fest for 30 years.

The last Fest was held in 2014 August 17th. After that, Bayview has transformed the Ethnic Fest to a Neighborhood Block Party held in the fall.

The Triangle Ethnic Fest will be remembered as a celebration of the strength of the amazing and diverse community that is Bayview.

History of the Triangle Ethnic Fest:

At the turn of the century, Sicilian and Italian immigrants moved to Madison in search of a better life. Looking for a place to live where they could be close to each other and carry on the traditions of their native land, they moved to a swampy marsh off Monona Bay, an area that resisted development because no one wanted to live there.

No strangers to adversity, the immigrants filled in the marsh using hand tools and perseverance to move the dirt. Houses, shops, and churches began to grow in the transplanted soil.

As African-Americans from the South and new immigrants arrived, the former swamp became home to as many as 14 different ethnic groups. Residents fondly referred to the neighborhood as the “Bush” after the Greenbush plot on which it was located. At its heart was a triangle of land bordered by West Washington Avenue and Regent and Park Streets.

Children grew up and got married; parents became grandparents; two World Wars were found, and still the community flourished. But by the end of the fifties, the decision to dismantle the Greenbush had already been made. In the name of urban renewal, the families were moved, the houses razed, and a community split apart.

By the early seventies, the Greenbush had been rebuilt into apartments for retirees, and those of low income. Bayview was one of two complexes built for families. The first apartments were rented in 1971. The Norma and Lupe Avila family was one of the first to move in.

Over the next 10 years families moved in and out of Bayvew. By the mid-eighties, the diversity of cultures represented by the residents began to rival that of the Old Bush, but where Greenbush was largely peopled with Italian, Sicilian, African-American, Jewish, Irish, and Eastern European residents, Bayview housed Hmong, Nigerian, Colombian, African-American, Mexican, Cambodian, and Native-American residents. Not only were these new residents culturally diverse, but also a surprising number of them practiced a traditional art or dance from their native land.

In 1985, Caroline Werner, David Haas, Donna Turner, Pat Woicek, Chou Thao, Marilyn Cooper, Patricia Eldred, John Givens, Peter Taylor, JoAnna Williams-Brown, Shoua Her, Roland Krogstad, Helene Pesche, Francisca Rodriguez, and others joined together and created a festival to celebrate the diverse cultures of the community, showcase the neighborhood talent and enhance communication between the various complexes in the Triangle.

The provisional name of the celebration was the Bayview International Festival, but about two months before the celebration took place the name had been changed permanently to the Annual Triangle Ethnic Fest. Billed as “a unifying force in drawing the elderly, individuals with disabilities and family residents of the area together,” the first Ethnic Fest was held on Sunday, October 13 from 1:00-5:00 PM. Residents provided all food and entertainment. The menu that year included food from Laos, Vietnam, Nigeria, Colombia, Mexico, and America.

Entertainment was modest by today’s standards. During the four hours the first Fest ran, only seven acts graced the stage. This grew to over twenty entertainers in two locations, children’s events, and numerous displays and vendors, the connection with our modest beginning remains: Blues singer Judy McNeal’s brother Kenneth gave one of the seven performances in 1985. Although represented by a different troupe, traditional Hmong dance was also one of the seven. And the Hermanos Avila, who would grow to become the Ballet Folklorico de Los Hermanos Avila, performed Mexican Dance. The 1985 festival also brought an exciting performance of a new style called breakdance by Steve Lauritz, Jr. and Charles Green.

In 1998, Rene Avila brought breakdance back to the Fest with the 401 Rockers. Steve Lauritz, Sr. was still a Bayview employee, while Charles Green’s niece Oniqua Johnson was dancing in the Center as part of TCT.

The second year the planning committee decided to claim the third Sunday in August as the regular Fest date with the following Sunday reserved in case of rain. After the postponement of the ninth Fest in 1993, the committee decided to do away with the rain date policy. In 1997, the thirteenth Fest endured several hours of rain in the morning and early afternoon. Three acts canceled, but the show went on.